![]() I've recently fallen (okay jumped into the deep end because I'm crazy) with this sampling / groove producing shenanigans. There's no denying that gear is cool, and that software synths are cool, but it's easy to fall into a trap where you think that spending more money gives you better songs, when nothing is farther from the truth! No, you don't NEED Native Instruments's Battery to lay phat beats, you don't NEED Rob Papen's Predator to crank out hot dance synths, and you don't NEED izoTope Ozone to push those levels to the max and get that lush sizzle (but man life would be so fun if I had them!) then you can buy one, easier than buying one and then letting it sit and collect dust.įLStudio has one of the most usable mouse-enabled sequencer interfaces in the industry so take advantage of that. If you find out later that you want one (especially good for live playing). The keyboard really isn't strictly necessary, and certainly the full 88 keys isn't needed unless you're learning how to play piano. you can get decent ones for around $100) I would first go through the process of making a few practice songs first. While keyboards are nice (and much cheaper than when I first started. ![]() It will help with composition, learning theory, and makes playing with the synths much easier. My suggestion would be to keep doing what you're doing while learning theory as you go. ![]()
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